New Website at www.TheStrangerSong.com

Pearls

New Website!

Hello faithful readers and sock-monkeys of my imagination,

Just to let you know, my site has put on her big girl shoes and is taking her first steps in them over at this new beauty of a website (that I only spent a few sleepless nights on…):

www.TheStrangerSong.com


off my knees and in the trees

Last summer was the summer from hell–emotionally, at least. And as I look ahead to my plans for the coming months, I am noticing a resurgence of last year’s feelings seeping into my writing. The following poem is definitely still rough, but I have found that all my writing is always rough and never finished, which is why I rarely publish anything.

Maybe you can help me smooth some of it out? That’s what the comment box is for anyway.

Summer 2010

The Cunning

Summer allure rolled through spring grass in a sprint for the forest
I chased after through the field toward the promise of a sweet and holy fruit
You enticed me toward the lifted cradle and made for me a dainty halo
And I made my home tucked into your trees,
Wooed by your lullabies of things Greater Than These

But the Greater never came
And you hushed away the These
Until the day my mouth was open and the wind rushed out of me
“Will you climb up or should I jump down?” I sang from a teetering cradle on a dying branch
With an eyebrow raised and a plastic grin you called up through the limbs
“Young girl, stay put in this tree, there’s nothing down here to taste or to see
sing if you wish, but know that I have the fruit abundantly”

So I sang with parched mouth from a vine not my own
Pretending that some how this might feel like home
“Sir, this tree bears no life and these branches lack water.
It shows who you are, not a lord or a father”

With a jester’s response, you smiled and smiled
and bellowed and bellowed from a heart turned mild
“Then let thy mouth be dry and speak no more! For this is my tree and I am its lord”

White petals shriveled to chalk and fell from my hair,
To a ground far below where nothing could grow
And cries of protest rattled through the trees
While the wind sang of things Greater that These

Then that wind shooed at my halo turned ash
Swirling into black leaves with a hiss
In time for your axe to cut through the mist

[part two: The Running soon to come]


But, our favorite mirror! (Part One)

Hate slithered into a mother’s angelic song
Lullabies spewed the deepest chorus of her lying
“But nothing with me, daughter, nothing is wrong”
The daughter believed until the mother quit trying

Evil struck the foyer’s Mirror
And they were blinded from the Glory days
The mother’s face distorted in bitter tears
She writhed away from the Holy Gaze

The mother stepped from the Holy mirror, her reflection clouded in disregard
And her daughter was left sightless, allowing her pain to surmount
The mirror shattered to a million bloodied shards
And the daughter’s only Holy crushed to the pits of the Christmas House

The daughter had no face to see, no song to hear
The mother burned the bridge to Heaven
And gave to the daughter her own terrible fears
Left her groping under the scorn of a Felon

Halt, The dance of reflection at her scorching inhale
Her desperate reach now met by a veil
Here, a motherless girl who cannot exhale


Antique Imprisonment

[from The Christmas House: memoirs by Alexis Berry]

Her legs draped down the steps beneath her as she sat sideways in the steep stairwell. I stood at the bottom, watching her cry and mumble about the lesson I could learn from this paper.

What paper, mom?

“This is me, Alexis!”

She smoothed her hand over the ugly cream paper, the air pockets slid to the side of her palm as it swept across a gaudy floral design. Her hand stopped where a line of blue flower trails had abandoned the wall, revealing the wallpaper that it was meant to cover.

I still did not understand.

“Alexis, look at this—this original pattern. This beautiful farmhouse. Look at this paper!”
I reluctantly lifted my barefoot up to the blue carpet, which covered the hardwood staircase, and climbed the first two steps.

The Christmas House never ceased to astound me; even the eyes of her walls were enchanting. I pushed my mother’s scene away from the moment that the house and I wanted to share. The pattern was a rich, absorbent gold spaced evenly on an upright stage frosted in a more delicate gold. Oh, the stories this staircase must hold. The wallpaper carelessly strewn over it must shame those stories. Two fingers from my right hand touched the antique paper, wondering at the beauty. Why would anyone cover this wallpaper?

“Why would anyone cover this wallpaper?” she cried, pulling me back into her scene.
She sobbed as she wondered what flaw the paper was guilty of. Her cries grew louder as the wall’s flaw became hers. She wailed as the House’s flaws embodied all of her flaws (those flaws that were never her fault).

“What bastards would oppress such beauty?!”
Such reality, she wondered. But this wallpaper is exquisite and real—a part of the house.

The hideous blue floral lines spread across the cream nightmare was nearly murderous. And those lines were oppressing her.
The poor thing, my mother ruined in this stairwell, while the Christmas House silently watched. She was oppressed too.
The poor, wretched thing.

I watched, no more than ten years old, losing all of my wonder at the gold, now seeing her face in each pattern, completely oppressed. The familiar cry of her imprisoned self, every time I dared to look up at it.

Then. She had to free the House’s real beauty. It was up to her to redeem those walls. She wanted to free herself. No one else would do it for her she reasoned.

Her nails ripped desperately into the blue floral enemy lines and returned an unsatisfying patch that left adhesive residue on her gold frosted wall face.

“Help me tear this off!!!”

She frantically scratched for another strip of cream paper, trying to will me with her tears. But I stood frozen in the stairwell, watching her cry, hoping she would not drag me into this wallpaper liberation.

Whether I joined the rebellion or cowarded back down the stairs, I simply cannot remember. But I do remember wanting that pattern too. That pretty frosted antique character in the mysterious Christmas House. That House that blushed and curtsied in the spotlight that only a crazy woman and her confused daughter would shine upon her.


grace shatters my beaded yokes: confessions of a self-oppressing artist

The Lord has promised good to me. His word my hope secures. He will my shield and portion be, As long as life endures. Yea, when this flesh and heart shall fail, And mortal life shall cease, I shall possess within the veil, A life of joy and peace.

Some nights you might find me cross-legged in the center of my bedroom floor–my black tank again wearing through the red stitches it’s been mended twice with, my green scrub pants reminding me of the smell of bleach we wore together at the boarding home. Don’t try to approach me though; you might slip on the sea of glass I’ve tried to make for myself. My beads drown the carpet in deep, twisted hues while I add to and string them together–So walk lightly if you must, and take care to not find one stabbed into your heel.

What began as creative devotion for me turned into a consuming need that chained up the freedom I had through expression. The beads were for my Love, painted for him, to shimmer around his throne. As I set my hands to them, losing sleep over them, I moved with no desire besides offering them to the Artist of eternity. But now, as I work through the night, catching a passionless reflection in the window pane, it’s hard to picture these beads adorning anything lovely besides my bones.

When I loved my beads too much and caught their reflections of praise, I began to resent them, but could not resist a need for making worth in them. So I let my attention shift to the mirror where I could better accommodate the want for worth. As I stare at my spiritless frame, I love the lines, the dramatic structure complemented by deeply painted drops of glass. For all of the flaws I so easily find in my appearance, these jewels make up for it. They dazzle the skin that stretches at the base of my neck and smooths over the collar bones that hold the weight of a thousand beads.

So I add to my collection daily, fashioning heavy glass necklaces that twist and tangle across my chest and drape over my shoulders. They form the most impossible knots anymore–hence my glistening bedroom floor. But I still need them. I need to keep creating them, because if I stop I fear that that the creative devotion they began with will never be recovered. And I need them to see and to touch and to be able to show others and to show God. What if I don’t have them anymore? Where will I master beauty without them? What will I say without them? Further the thought of my neck being exposed to the unpredictable breeze, once again touching my skin, is terrifying.

Recently something that Paul wrote caused me to close my eyes and look at myself: This girlish, prideful island in the middle of a sea of sinful beads was what I saw. I saw that I am horribly guilty of an obsession with control (feel free to sing Mutemath here) and blatantly disregarding a truth that scares me: For freedom Christ has set us free; stand fast therefore, and do not submit again to a yoke of slavery.

God revealed to me the skewed intentions of my works and their inability to result in anything good apart from his work. What begin as devotion and expression, I often let become a requirement and expectation for goodness, resulting in an obsession and yoke that eventually wears me into exhaustion. And my anxiousness about expectations and pursuits that, at the end of the day weigh nothing against the glory of God, only spit in his saving face. My arrogance and independent insistence says, “That thing you did on the cross? Thanks, but uh I got this covered here today. I like my [limited] perspective here where I can see things that You are obviously missing from where You are…”

But I don’t want to be the prideful wretch that turns away help and life, thinking she needs to do everything better and on her own. I have been set free and I can no longer shut my eyes to this and try to make my own freedom, my own life, my own beauty. Paul says that our freedom comes through faith in God and His grace to us (Gal 5:4). So, he tells us to live like it means something to us, For through the Spirit, by faith, we wait for the hope of righteousness. (Gal 5:5)

It’s a sin for me to add to the mess of beaded burdens around my shoulders. They cascade in their own bitter splendor and spill onto the floor as a sea of unmanageable glass. So here I draw the line and say that what I create and what I pursue are never things to be consumed by. My worth and my righteousness are in no way dependent upon or even reflected by these things. And when I let my art, my education, my volunteering, my anything become supreme in my life, I hope that I will hear these words again and again reminding me that I have peace with God through Christ and that this is eternally freeing and never oppressing.




Chimera III: ducking the dragonflies

Complacent waters..
She calls me away,
Untouched by the storm.
Into her lily bouquet.

placid purity.
Nothing will taunt me. nothing will taint me.
I love your still obscurity.

Her gentle waves wrap me in a shroud of calm.
She turns my body deeper, deeper into the grey.
The crystal waters kiss the surface of my flesh.
My bones creak as she rocks me away and away and away.

placid purity.
I have tasted of your colorless mystery.

The sway, the sway of her tranquil way,
bends my mind to forget that I live today.
She holds me, she hides me,
From the storm that’s inside me.

placid obscurity,
Your refuge so severe.

Her mist becomes my veil,
the waters, all I hear.

Placid purity turns my blood gray,
Something about your nothing charms me to stay.

The glass that covers my body tucks my mind in.
I’ll sleep through the ages,
While the storm rages.

Given over to her cunning, cool kiss,
Who cares about my sin?
I simply will not exist.


Chimera II: Transient Insomniac

my empty fist crushed the glass
never again will we behold

water slammed against the window pane
in a now unrelenting rain
the sky had exploded from the south,
crawling towards me all too fast,
it’s billows growling my name

my hand is empty
my side is cold
i tried to wake you

a desperate elusion
blades of grass stab my feet
blood weighing my legs to stiffen
rain smothers my voice

vigilance grows harder to keep
my body longs for sleep


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